"A Journey from Death to Life: Spectacular Realism and the “Unamendability” of Reality in Paolo Sorrentino’s The Great Beauty." Book Chapter. Loredana Di Martino, Pasquale Verdicchio. From Neorealismo to Nuovo realismo: Encounters with the Real in Contemporary Italian Literature and Cinema. Newcastle upon Tyne: Cambridge Scholars Publishing, expected 2016.
“Sound and Soundtrack in Italian Cinema.” Book Chapter. Joseph Luzzi (ed.), The Total Art: Italian Cinema from Silent Screen to Digital Image. New York: Bloomsbury Academic, expected 2016.
“A Life Journey in Paolo Sorrentino’s The Great Beauty." Pacific Ancient and Modern Language Association Annual Conference (PAMLA), Portland, OR, November 8, 2015.
“Lo Spettacolo della Morte ne La Grande Bellezza di Paolo Sorrentino.” Sixth Annual Film Symposium on New Trends in Modern and Contemporary Italian Cinema, Indiana University, Bloomington, IN, April 24, 2015.
“A New “Laura” From the South. Isabella Morra and the Petrarchan Literary Canon.” I Congresso su Studi di Genere/ La Donna e la Scrittura in Ambito Lusofono e Italiano, University of Lisbon (Portugal), Novembre 18, 2014.
“The Revolutionary Failure of Pasolini's La ricotta.
" Pier Paolo Pasolini between Regression and Failure
Conference, University of Paris-Sorbonne (France), May 10, 2014.
"Mourning Accattone. Redemption and Technical Sacredness in Pasolini’s First Film." Invited Lecture at Syracuse University, March 26, 2014.
“Life Is… Comic! Creative Writing, Oral Presentation and Technology in Second Language Acquisition.” 6th International Conference of Education, Research and Innovation (ICERI)
, Seville (Spain), November 19, 2013.
“Tanatopolitica, Arti Visive e Marxismo nel Cinema Italiano degli Anni ’60,” Intersections
Conference, Turin (Italy), June 8, 2013.
“Camera-Brush and Literary Soundtrack in Pasolini’s Mamma Roma
,” American Association of Italian Studies (AAIS) Conference, Eugene, April12, 2013.
“Channeling Emotions in Pontecorvo’s The Battle of Algiers
,” American Association of Italian Studies (AAIS) Conference, Pittsburgh, April 9, 2011.
“Sacredness and Desecration in Pasolini’s La Ricotta
,” American Association of Italian Studies (AAIS) Conference, New York, March 7, 2009.
“Voices from the Border. The Role of Rituals in Italian Political Films of the 60s,” Northeast Modern Language Association (NeMLA) Convention, Boston, February 26, 2009.