Rachel Moss

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Rachel Moss

Visiting Assistant Professor of Theater

Department/Office Information

Theater
  • R 9:00am - 12:00pm (Charles Dana Arts Center)

Rachel Merrill Moss (she/her) is Visiting Assistant Professor of Theater at Colgate University. A theater historian, dramaturg, critic, and performer, Rachel recently earned her doctorate in the Interdisciplinary PhD in Theatre and Drama at Northwestern University, with research supported by a 2018-2019 Fulbright fellowship in Poland. Her research centers on the performance of Jewish material, identities, and tropes within and outside of theatre and their complex entwinement within broader socio-political narratives in context. Her current book project examines the past century of performed Jewishness in Poland, looking to the ways in which shifting representations of Jewishness from the interwar to post-communist periods engage with changing modes of national identity formation and narratives, politics, and memory work.

In 2022, Rachel was awarded the New Scholars’ Prize by the International Federation for Theatre Research. She regularly convenes the Central East European and Eurasian-focused Working Session at the American Society for Theatre Research and has also presented her at work at the Association for Theatre in Higher Education, the Association for Jewish Studies, and the American and British Associations for Slavic, East European, and Eurasian Studies. Rachel’s writing has appeared in Theatre Journal, Journal of American Drama and Theatre, Theatre Survey, AJS Review, Culture.pl, and Színház. Rachel is co-editor with Debra Caplan of The Dybbuk Century: The Jewish Play that Possessed the World (University of Michigan Press, Fall 2023). As an educator, she has lectured in a range of locations including Chicago, New York City, Edinburgh, Ho Chi Minh City, and Warsaw, and most recently, in the Boston University School of Theatre.

As a practitioner, Rachel served as company and assistant general manager, and producing associate at the Barrow Street Theatre, a commercial off-Broadway theatre in NYC’s West Village, published nearly fifty New York theatre reviews between Theatre is Easy and NYTheatre.com, produced and reviewed work at multiple Edinburgh Fringe Festivals, and worked as a freelance dramaturg in NYC. From 2019-2020, she co-devised and performed in the Warsaw-based theatre company Strefa WolnaSłowa’s Azyl Warszawa projects, focusing on the dynamics of Poles and migrant experiences in Poland. In December 2020, she co-created and facilitated Dybuk na stulecie, an online and Warsaw-based centenary celebration in honor of S. Anski’s The Dybbuk, in partnership with Poland’s Instytut Teatralny. Most recently, Rachel served as the dramaturg for the New York City premiere of Tadeusz Słobodzianek's Our Class, directed by Igor Golyak (at BAM as part of the Under the Radar Festival, Jan-Feb 2024).

PhD, Interdisciplinary Theatre and Drama, Northwestern University
MA, Theatre History and Criticism, Brooklyn College CUNY
BA, Theater Arts, UC Santa Cruz

Jewish performance, commemorative practices and memory studies, museum studies, nationalism and identity, Polish and Slavic studies, cultural histories, gender and queer studies

  • The Dybbuk Century: The Jewish Play that Possessed the World, co-edited with Debra Caplan, University of Michigan Press (2023). 
  • Skrzypek as Synecdoche: Polish-Jewishness in Fiddler on the Roof,” Theatre Journal, 75 (2023), pp. 143-166.
  •  “Pageants and Patriots: Jewish Spectacles as Performances of Belonging,” co-written with Gary Alan Fine, Journal of American Drama and Theatre, Volume 31, Number 1 (Fall 2018).

Book Reviews:

  • “Grzegorz Niziołek. Polish Theatre of the Holocaust. Translated by Ursula Phillips. Bloomsbury series of Cultural Histories of Theatre and Performance. London: Methuen Drama, 2019; pp. xii + 308,” Theatre Survey, Vol. 63 (2), pp. 250-252.
  • “Alyssa Quint. The Rise of the Modern Yiddish Theatre. Bloomington: Indiana University Press, 2019. Xi, 283 pp.” AJS Review, Volume 44, Number 2 (November 2020)., pp. 49-51. 
  • New Scholars’ Prize, International Federation for Theatre Research, 2022.
  • POLIN Museum GEOP Interdisciplinary Research Workshop Award, 2022.
  • Luckens International Essay Prize in Jewish Thought and Culture, U. Kentucky, 2020.
  • Project Grant, U.S. Embassy and Consulate in Poland, 2020.
  • Fulbright Student Research Fellowship, Fulbright Poland, 2018-2019.
  • The Dybbuk (co-adaptor and dramaturg). Arlekin Players at The Vilna Shul, Boston, May 30-June 30, 2024. 
  • Our Class (dramaturg). Brooklyn Academy of Music (BAM) & Under-the-Radar Festival: Brooklyn, New York, January 12-February 4, 2024; Fall 2024 @ Classic Stage Company (NYC).  
  • Języki Troski (performer and co-devisor). Stefa WolnoSłowa at Teatr Powszechny: Warsaw, Poland , 2020.
  • Zaczyna się od pszczół/ It started with Bees (performer and co-devisor ). Stefa WolnoSłowa at Teatr Powszechny: Warsaw, Poland, 2020.
  • Włącz bojler (performer and co-devisor). Niech czeka na mnie chociaż ciepła woda. Stefa WolnoSłowa at Teatr Powszechny: Warsaw, Poland, 2019.